conflict
Vandalism, graffiti or ‘just’ rock art? The case of a very recent ‘engraving’ in the Côa Valley rock art complex (Portugal)
António Pedro Batarda Fernandes (Bournemouth University, UK)
Epigraphic Targets and Concert Parties in the Amphitheatre: systems of heritage management during World War II conflict and occupation in Tripolitania and Cyrenaica
Benjamin Westwood (Instituto Universitario Europeo, Firenze, Italy)
‘Recreated on canvas’: the role of battlefield art as a commemorative medium
Paul Gough (University of the West of England, UK)
Dealing with heritage that hurts: post-conflict community museum experiences in Northern Ireland
Laura McAtackney, Oxford University
